Friday, August 12, 2011

John Doe Manifesto




Competition Manifesto 2011



'Not another f..ng manifesto'...



A recent VOXPOP conducted in the suburbs of Western Sydney produced a maelstrom of diverse contributions in all manner of expression, informed by the multicultural diversity of artistic interpretation and experience within this 'cutting edge' source of inspiration for many professional practitioners in tune with the 'avant garde'. An arbitrary, interwoven, ‘randomly ordered’ selection of the recorded responses presented the following post modernist slice of our cultural currency and their personal prescriptions for the 'now' manifesto;




'VOXPOP Manifesto 2011' 
John Doe

1. Purge the world of manifestos and art competitions; grants, residencies, awards set up/supported by the apparent interest from banks and telephone companies.... no skulls, classic muscle cars, appropriation or sensor technology.. No uncredited external assistance,

2. No more CNC machines operated without credit to the specialist, plastic moulding companies, or photo labs.. No sponsorship by water companies looking cool beside art, and lose the word Contemporary..

5. Graphic Design must be finally thrown into a full contact Cage Fight, and clarify the war with Contemporary Art.. and when did everyone become an OUTSIDER Artist? All artists to return to life drawing classes run by Hughe Hefner in collaboration with Rolf Harris.. modelling by Germaine Greer.

8. No further recycling of Op Shop art and porcelain figurines, stuffed animals, and crying self portraits.. Climb (free climb) from the 2D surface of the projection screen and introduce our children to the fourth dimension of reality.. Ween them in with a train ride, window as screen, and escort their senses into the view from a rooftop, a cubby house, a cliff side, a ladder beside the blank canvas areas, waiting to be teased by exploration and discovery. 


15. Enough video documentation of the mundane, the experiential monuments of the 'life sized' reduced to 16' x 9'. Are there any family photo albums; those sacred relics of personal memory, not raped by the tactical post modernist apparent appropriation, turning your mother and mine into objects shaped by gallery critique in glossy, invites with essays that transform the strange uncle at the back left corner of every Christmas shot, into a hero of the Dank Street narrative.



66. Our senses compete for time and attention, between the unconstrained vibrancy of our free surround sound CMYK-4D-RGB of reality by chance, enchantment by fate sitting patiently awaiting our attention, all outside the back door, running into, but never out of, the unexpected.. to compete with what? The guide time tabling most; the TV guide. 


27. Banish the TV guide into the wasteland of Mt. Predictable. HIstory has documented guides which have left us feats of literature which remain applicable to contemporary life, inspired centuries past, practical through generations of trend change in fashion, in culture, culinary experience, in piercing, sexual aids, and spiritual adventure. 


31. Art that you know works is the experience of the timeless sensual outside of trend and left of critique... it is an inherit known, one of those thoughts that awakens something, doesn't matter what that something is. It is. Manifest that, write a guide about it, hand out the fairy bread and blow up some balloons.. there you have yourself a Manifesto. 



THE COMPETITION: WRITE A MANIFESTO YOU BELIEVE TO BE APPROPRIATE TO CURRENT PRACTICE AND CULTURAL POSITION. 



1ST PRIZE FOR 'BEST' MANIFESTO: Product Placement on full length of top shelf at register area in 'Cash Converters' for Six Weeks with a reduced rate specially approved for this COMPETITION; 79 percent commission.



2ND PRIZE 
ONE WEEK WITHOUT TECHNOLOGY: Includes your choice of a blanket and a box of matches - OR - two unlabelled tin cans, and a piece of string.. either for emergency communication via smoke signals or tin can comms. Both include a week membership to the research room of Mt. Druitt Community Library with access limited to NON-FICTION PRINT material only; known as books that contain information applicable to ones life. 



3RD PRIZE
 A two hour interview, no limit question session, with the judges of any one of the prominent Arts Grants, or competitions such as the Helen Lempriere, or Archibald. All questions guaranteed to be answered without adjudication, deferral, or misdirection. 

All prizes must be collected upon notice of successful entry.



WINNERS will be announced within the literary eminent ANTHROPOLOGICAL PUBLICATION; 'THAT'S LIFE'. 

PHOTO SESSION OF WINNERS SMILING AND CAVORTING WITH OH&S APPROVED LEAPS OF JOY TO BE PRINTED IN FOLLOWING ISSUE.

Winners will also receive a one week subscription hand delivered by paper boy. 



Entry Requirements

Entries are restricted to ONE A4 page, either hand written or typed and saved as a WORD DOC. If entry contains support images these are not included in the one page limit.

VIDEO submissions are encouraged and to be limited to 4 min. 
(video submissions must provide an additional text document for publication in the event of winning).


This performance event will be exhibited in Sep 2011. 



Entries to be emailed only to:
notanothermanifesto@dodo.com.au



Those submitting large file video works should use a service such as sendit.com. 


Thursday, August 11, 2011

Bio

Daniel Kojta is a new media artist working in the arena of perception of phenomena. Informed by various expeditions thoughout remote Australia and the thoughts of Merleau Ponty, Paul Virilio, and McKenzie Wark, Daniel has presented interactive installations, which engage the audience in immersive environments and challenge their perception of sensual engagement.

Tuesday, July 12, 2011

Queen Victoria Unidentified Presence Expedition II

Exploration to the local Asylum Circa 20th C. Will be setting up Yowie sightings in area and exploring any remains of equipment for image library. Permission granted. Shoot starts Wed 13 July 2011. Experimenting with costumes of 70's doctors patients nurses.. TBC. Anyone with access to images please send on.

Wednesday, June 22, 2011

KAPOW II


ZOO
Animus 21st C
Circle Cage - small around 2mtrs in diameter - sign on the inside of the cage alerting to those on the outside - DO NOT FEED THE ANIMALS.

KAPOW I


'Kapow' as in the Batman and Robin bubble text reference, will be used here as a heading to describe a quick idea for a work or concept that I have to get down, in order to expand on and research later.
To begin, as the first 'Kapow' I have been considering the plight of Sisyphus and I am pondering on an object of which he would use to rest his heavy burden. A chair, I definitely like the title for a series of chairs. This may be a work I will use the left over timber from other works of a furniture nature, and create the ideal setting for Sisyphus to rest in. These installations or situations, sets, small environments will be made to be installed throughout locations in the city for those on the treadmill to escape momentarily, a room where time does not function, a broken clock.. And so it goes, Kapow.
[And again, fate has brought the granite boulder back into my visual language... A boulder on my back, made from foam]



Continued with the Guillotine.. Back to the quick short video piece (Disability employment competition).. Option II - the boy continues to make the object and finishes very contentedly with his fathers pride, his mother walks into the room, she sees the finished version, SHOT THROUGH SONS WHEELCHAIR and says something like, "I can see now why you want to become a carpenter son"... text on screen - 'if you can build a piece of furniture from impossible instructions theres nothing stopping you from becoming a carpenter'... (or some other reference) you can do anything - OR - why shouldn't a child dream - OR - if you can dream you can be anything you want for a career. .. the only 'dis' ability is the inability to see ability.."Employ a person with a disability today".


Argie Bargie I, II June 2011. Proposals


I. Chrome version of TRAP for production as model. Furbish in timber, angular.

II. Alien Perception - [line drawing machine K]
Laurice will shoot from ceiling cross beam in Barn studio, straight down to me on floor covered in wall paper - white with relief [flowery pattern relief]. I am drawing holds, any object which I may use as a hold to lift me higher in the scale of this building face. These will include metaphoric objects such as the 70's guide to sex. Some I will draw and use as is. I should also erase some, use several books, use a ladder and then knock it over - to increase the look and strength of the effect. I may fade to projection of me. Draw seat and rest for a break. How to end??

Argie Bargie concept I


TRAPPED

Man and son sit in lounge room assembling IKEA type parts. Various close ups of son and father moments. Close up of Dad proud and son looking through finished object as mum walks through the door, I'm home love - Dad says to son - Shh.. as she enters and trips the TRAP - go to black with the sound of a guillotine type blade sound sliding down with a thud and blood splattering... Open to back of mothers head - zoom out to mothers head rolling out of frame... Dad and son moment.. BLACK Dad and son laughter.